Archive for the ‘Creative Endeavors’ Category


New Goal

October 14, 2010

I’ve decided to stop putting so much energy in being jealous of you, and instead intend on making all of you jealous of me instead.

Item: I fed a sea turtle! Proof:


Gotta Dance!

November 29, 2008

Two weeks ago, I attended a performance of “Singin’ In The Rain” at the Paramount Theater in Oakland. First off, this was the perfect theater to see it in; with it’s deco stylings and comfortable seats (at least in on the floor*), I felt like I was transported to a time when movies were big and important. And included singing.

Honestly, I was on the edge of my seat, and the edge of tears through most of the film. Sure, I’m a sucker for musicals, but Gene Kelley is on a whole different plane than other dancers**. He pulls off moves that seem impossible like he was walking down the street. His turns are perfect.

So what I got most out of the movie was inspiration. I want to become a better dancer, even if it is just a hobby. I’ll never be Gene Kelley, or anywhere close, but while I can still move, I want it to be the best movement I can do.

Now I just have to figure out HOW.

*I recall seeing Bjork there years ago, in the balcony, and becoming very good friends with my knees.
** Though it really should be noted that Debbie Reynolds and Donald O’Connor really kept up with him, and I think O’Connor was really underrated and underused in comparison.


Waking up my fingers

November 18, 2008

This last Sunday, my grandmother turned 88. Also this week, she passed her driving test, meaning she’s legal to be on the road until she’s 92. Even she thought that was hilarious.

It was a great family get-together, with excellent food, laughs, and wine.¬† (Oh, a lot of wine. My brain was not happy Monday morning, and I wasn’t the only one.) I can’t remember what possessed us, but my sister and I decided to head over to the piano and see how many musical numbers we could bang out, using our favorite old songbook.

My sister has a lovely voice. And I took piano for seven years in my youth (ending at 14). I hadn’t touched the keys at all in at least three years, so I was convinced that I wasn’t even going to remember where middle C was located. And yet! I moved my fingers, and music emanated from the piano! I was very rusty, and got confused on the very low notes, but I think I did pretty well, considering.

I forgot how much I love playing piano. I was never concert-level good, but it was good stress relief in college, merging a break AND feeling kind of constructive. I want to play again. Alas, there is nary a space in my tiny and already overfilled apartment for such a thing, to speak nothing of getting it down all those stairs! And a keyboard just won’t do.

I find it funny that NOW I’m in the right space to practice for twenty to thirty minutes a day, when as a child it bothered me to no end. What did you do as a child that you wish you had kept up?


Oh, there I am.

November 5, 2008

Leader of the pack, originally uploaded by Lupiebug.

I’m a bit amazed. Someone actually asked what happened to my blog!

As the performance approached, I was spending more and more time dancing, and less time doing… well, everything else. For example: I skipped a party I was looking forward to attending, because it was going to be my one chance that week to sit at home and do nothing. Of course, as I’m cooking dinner (another activity that was rare), I get a call from a fellow dancer, asking if we could run a particular piece she was having troubles with. So we danced from 9 – 11pm on a FRIDAY NIGHT.

The Sunday before the show, I finally got a day off and went to a wedding (congrats to Jeremy and Kristin, two of my favorite South Bay peeps!). Driving home, my throat felt a little sore, but I figured it was the dancing and drinking. Little did I know that it was a cold that would knock me out for almost two days straight, and even now, a week and a half later, still is lingering. This made rehearsals that last week a little difficult.

But it was all worth it. We sold out both the afternoon and the evening show. It was probably the best dancing I’ve done in my life. I didn’t make any major mistakes, and no one could even tell the minor ones.

I did, however, manage to rip something on almost every costume I wore (and there were plenty). The one shown above is the only one that escaped unharmed, but then again, it’s all street clothes that I wear all the time. I yanked a zipper out of it’s mooring, I pulled part of a ruffle off a skirt, I ripped a safety pin through my nice new shawl, and we won’t talk about how many times my butt got stuck in zippers. Embarrassing. There’s a fantastic difference between the chaos of backstage and the control onstage.

I’m so happy that those who came could make it, and I’m sad for those who couldn’t, be it financial, distance, weddings, or because we sold out*. There will be a DVD, and I will be inviting people to watch it with me. Hopefully it’ll capture the experience. And hopefully not capture the moment where I almost showed the crowd all my goodies by lifting my skirt too high.

Now it’s a Wednesday, and I’ve had th entire evening to myself. I cooked some, I cleaned some, I played hard with my cat. It is exactly what I wanted to do. I’ll miss rehearsal, and having that goal, but I look forward to spending quiet time alone, and fun time with my friends. I’m back!

* I am the least sad for this, because it’s pretty awesome.


Let’s get excited!

October 15, 2008

I have been busting my ass. And it shows. My dancing is better than it has EVER been. Of course, this also means that I’m busy all the time and haven’t been resting enough, but I think it’s all worth it.

And look! We look like professionals! OH WAIT WE ARE.

Necessary Important Info:

AIRE Y GRACIA – A Celebration of Classical and Popular Music and Dance from Spain and Latin America

ODC THEATRE IN RESIDENCE AT PROJECT ARTAUD THEATER — 450 Florida Street (between 17th and Mariposa) San Francisco 94110
Box Office: 415-863-9834 2-5pm Wed.-Sat.
Ticket Price: Matinee $15/20 Evening Performance w/Reception $20/25

In conjunction with the International Hispanic Festivities and Day of the Dead Andanza Spanish Arts presents yet another excitingly original Premiere of Spanish and Latin American Dance and Music featuring internationally acclaimed choreographer Danica Sena, world-reknown Tenor Claudio Santom√© with Special guest artists Rosa de Huelva from Sevilla (singer), Alfredo Caceres (guitar/percussion), Antonio Lopes (guitar) Grupo Folclorico Atlatonin with Norberto Martinez and Allison Lovejoy (piano) along with a cast of 10 dancers. Proceeds from the matinee performance will be donated to ODC’s “Sponsor a Teen” Youth program.




September 29, 2008

I’ve already told almost everyone I know about this, but the students of my dance teacher are putting on a show! November 1st, at Theater Artaud, in San Francisco. There are shows at 3pm (geared towards families and children, all proceeds going to a children’s charity) and an 8pm show (with a reception afterwards with foodstuffs!). Hoepfully sometime this week there will be a nice graphic to go along with this, as well as directions and everything, but I just feel the need to hype this thing as much as possible*.

I hope everyone can make it! Put it on your calendar NOW.

* Also, we need to sell out the evening show to break even, more or less. This is what happens when you’re not a non-profit and you decide to put on a show.


See Mace Dance (6/6/08)

June 9, 2008

This is our performance for the Spring Performance Workshop at Rhythm and Motion. We put this together in about eight weeks, working out butts off. This is one of the hardest choreographies I’ve ever participated in, and I’m pretty proud. In case you can’t tell, I’m the only one with short hair. I’m the first one to walk in from the left, and once the footwork starts, I’m front and center.

It’s not traditional Flamenco by any means. The song style is called Martinete, which is a structure that’s not used a lot in shows. It’s not an intuitive beat, though it makes interesting combinations. I feel like I should add that we’re on boards because the marley floor in that studio makes all footwork sound completely dead.

Watch it while you can, as there are rumor it may be taken down, for fear of choreography theft. A subject that had never even crossed my mind until someone mentioned it yesterday.